Aspectos negativos de esta temporada.

convertirse y desconvertirse de vampiro es bastante lento. esto puede hacer que te maten si no estas en covertura. ademas se vuela lento y bajo.
en cambio la modalidad de hombre lobo es mas rapida corriendo. pero al igual del modo vampiro es lento para convertirse en humano.

en terminos generales seguire jugando por algun tiempo pero creo que me decantare por jugar el modo clasico.

si juegas pubg no olvides dejar tu comentario y vemos como coordinamos para jugar unas buenas partidas.

El tema que les presento hoy es de mi autoria y se llama AGUA. Vivonen Venezuela en donde hay problemas criticos de suministro de agua continuo en todo el pais. es inportante para mi y para todas las personas en el mundo resolver el gran problema de falta de agua ya que pone en riesgo la salud de todos aunque me preocupan mas los niños y personas adultas mayores que sufren de diferentes enfermedades a causa de esta problematica.

Esta cancion se la dedico a mi madre que en el año 2016 sufrio de multipes enfermedades por no tener agua. fue una epoca que me dejo marcado y no puedo evitar escribir sobre este y otros problemas.

Espero que esta cancion no solo les llegue a la gran comunidad Venezolana sino a todas aquellas personas que han pasado por esta horrible situacion

Teresa Carreño Theater the origin of this film project

Choosing an architectural work for this work was not easy since I needed to investigate not a particular style, but rather the characteristics and techniques used by architects to conceive the space.

This specialty is composed of views by the concern that the architect establishes as a starting point in the composition since it is the work according to my imagination the most important part since if you are not doing this work as an architect you are not doing architecture as such.

I chose this theater because Brutalism has always seemed striking and attractive to me with materials in sight without coating adding to the simple and minimalist that a work like the Teresa Carreño theater can be.

To prepare myself for this attempt to find a new way of seeing and interpreting this wonderful work, I turned to different sources of architectural thought to delve into how these steps are carried out when a project is striking.

I located within my research some ideas of how views are developed, among them are, bird's eye view, frog's eye view, serene view, celestial view, all this is directly related to the vision that can be obtained from an object and how to differentiate. This is from the position of the point of view between an observer and a geometric plane. Taking as a reference 1.70 meters which is the average height of a person.

This is where the drone promises to completely change how we perceive architectural structures by seeing things and points of view that we could not have seen before. With the exception of helicopters that can see in similar ways to the drone but having a considerable volume and little capacity for maneuverability makes it unlikely to have plans like the ones I show in this video.

The solution was to use a drone, they are small, they can be subtle and they can be fast, they can fit perfectly in tight spaces and they are equipped with super modern cameras with great physical quality.

So having the drone and after having researched some things, I needed the approval of an expert. So I spoke with Alejandro Haiek a great Venezuelan architect who is my friend and collaborator of our Vida Verde project led by @cvnuitter, a project that involves sustainable architecture.

With Haiek I was able to establish my curatorial parameters to be sure before filming, he told me that he had thought several times about what he was about to do and that it is one of the great dilemmas of large-scale architecture where certainly through the views previously conceived by the architect the users or people can appreciate the structures, emptiness exists where people cannot see and appreciate. Giving other ways to appreciate and provide even more added value to the work itself.

That is why in these overhead shots, orbits, you can see the different levels of the theater, the geometric figures, the gardens, the leisure spaces and the works of art change completely from these points of view.

This video is unpublished in horizontal format since it makes a few videos in vertical format of shorter duration, where you can appreciate the majesty of one of the largest theaters in America, the second largest in our South America and the largest in Venezuela. 🇻🇪

For me it has been a true honor to pay tribute to this wonder of Brutalist architecture, an icon of our beautiful Venezuela.

Before I say goodbye, I leave you with a historical review of this theater.

In 1970, a violinist named Pedro Antonio Ríos Reyna at that time was the president of the Venezuela Symphony Orchestra. He had in mind a project to build a headquarters for the orchestra, since the existing theaters in Caracas were far from the standards that the orchestra already handled at that time.

The construction of this theater was carried out by architects Tomás Lugo Marcano, Jesús Sandoval and Dietrich Kunckel. During those years they traveled to other theaters around the world to learn about the characteristics and advances of the time.

The work began in 1973 and was completed in 1983. It went through two presidential administrations that did everything possible to finance and keep the project on track until its inauguration.

It is built on a plot of more than 22,000 square meters and in total there are more than 80,000 square meters of construction, with the hexagonal shape being used recurrently in almost the entire design. _{Uploaded using 3Speak Mobile App}

Esta es la primera prueba del programa del show de STEEMON para ello diseñe un títere basado en el diseño y colores se la steem blockchain con el fin de promover el proyecto títeres en la comunidad que actualmente estoy desarrollando dentro de la plataforma de @fundition, STEEMON también promocionará la steem blockchain y también informará sobre las principales noticias de interés de esta gran comunidad.

Esta es una idea de cómo podrá ser el programa estoy en fase de escribir el guión base para cada episodio el cual tendrá una visión humorística de steem así como hablar del avance del taller Títeres en la comunidad.

Esta idea surgió debido a tener que realizar promoción para recaudar fondos, hace unos días comencé el segundo taller y aún debo conseguir la meta de recaudación para comprar los materiales necesarios y terminar el taller de manera satisfactoria.

También he pensado en promocionar en modo publicitario algunas comunidades, aquellas comunidades que deseen hacer donativos a partir de un steem semanal o más pueden dejar un mensaje en la sección de comentarios para ponerme en contacto y trazar la estrategia de promoción.

STEEMON es un títere generoso con el medio ambiente y fue construido con materiales reciclados, la cabeza es una botella plástica de jugo de naranja, el cabello con el logo de steem es goma espuma que fue reciclada de un cojín viejo y sin usar, para forrar el títere STEEMON use revistas viejas y lo únicos materiales industrializados son la pega blanca, la Maizena y la pintura, en resumen es un títere que cumple con la reducción de la huella ecologíca.

Espero opiniones y críticas pero tenga en cuenta que este primer programa es un piloto y no representa por ningún motivo el lanzamiento oficial del show de STEEMON. Aún me queda por fabricar la escenografía y algunos elementos que servirán de uteleria.

Actualmente comencé el segundo taller Títeres en la comunidad en donde lleve a STEEMON para hacer una demostración de cómo se construiran los títeres en el taller.

El único desafío es conseguir el resto del financiamiento a través de fundition y nobel para comprar los materiales necesarios ya que comencé con la cantidad que pude recaudar se 300$ aún me quedan por financiar la compra de materiales por la cantidad de 1000$ cualquier colaboración o donación será bienvenida y a través de las actualizaciones podrá verificar el manejo y uso de los recursos.

Si desea saber más sobre el taller y sus efectos positivos en los niños lo invito a revisar mi blog en fundition en donde hablo más detalladamente sobre el proyecto.

Los niños de escasos recursos en sectores populares de Venezuela son desfavorecidos con el arte, al no existir programas educativos los niños tienen más probabilidades de empezar a trabajar y desertar de las aulas de clases. Además en la mayoría de los casos los niños están en contacto con la violencias ya sea por parte de grupos delictivos que hacen vida en los barrios así como violencia generada en sus propios hogares, con el taller Títeres en la comunidad se logra alejar a los niños de la violencia para ser beneficiados con el arte de títeres. Este y muchos más elementos positivos son los que pueden ayudar a mejorar la condición de estos niños que de manera gratuita pueden aprender un oficio que le dar alas herramientas para ser libres.

English

The STEEMON Show Test Program

This is the first test of the program of the show of STEEMON for it I designed a puppet based on the design and colors the steem blockchain with the purpose of promoting the project puppets in the community that at the moment I am developing within the platform of @fundition, STEEMON also will promote the steem blockchain and also will inform on the main news of interest of this great community.

This is an idea of how the program could be. I'm in the phase of writing the base script for each episode which will have a humorous vision of steem as well as talk about the advance of the Puppets in the Community workshop.

This idea came up due to having to do promotion to raise funds, a few days ago I started the second workshop and I still have to achieve the fundraising goal to buy the necessary materials and finish the workshop in a satisfactory way.

I have also thought about promoting in advertising mode some communities, those communities that want to make donations from a weekly steem or more can leave a message in the comments section to contact me and outline the promotion strategy.

STEEMON is a generous puppet with the environment and was constructed with recycled materials, the head is a plastic bottle of orange juice, the hair with the logo of steem is foam rubber that was recycled of an old cushion and without using, to cover the puppet STEEMON uses old magazines and the only industrialized materials are the white glue, the Maizena and the painting, in summary it is a puppet that fulfills the reduction of the ecological footprint.

I expect opinions and criticisms but keep in mind that this first program is a pilot and does not represent for any reason the official launch of STEEMON's show. I still have to make the scenery and some elements that will be used as a tool.

Currently I started the second Puppet Workshop in the community where I took STEEMON to do a demonstration of how the puppets will be built in the workshop.

The only challenge is to get the rest of the financing through fundition and nobel to buy the necessary materials since I started with the amount I could raise and I still have to finance the purchase of materials for the amount of 1000$ any collaboration or donation will be welcome and through the updates you will be able to verify the management and use of the resources.

If you want to know more about the workshop and its positive effects on the children I invite you to check my blog at fundition where I talk about the project in more detail.

The children of scarce resources in popular sectors of Venezuela are disadvantaged with art, as there are no educational programs children are more likely to start working and drop out of classrooms. In addition, in most cases children are in contact with violence, either by criminal groups that live in the neighborhoods or by violence generated in their own homes. With the Puppets in the Community workshop, children are taken away from violence to benefit from the art of puppetry. This and many more positive elements can help to improve the condition of these children who, for free, can learn a trade that gives them the tools to be free.

Currently I am making some changes in the project, in these days I will give you the date in which the workshop will begin, it was supposed to begin this week but due to problems to collect the final goal I will not be able to begin in the date foreseen for this week.

However, I am studying the possibility of starting with the resources I have been able to collect in order to attract new collaborators.

The only drawback is that by starting the workshop with a budget of only $300, there is not enough money to buy all the materials needed to work with 50 children.

I hope this will work and attract collaborators who can verify the status of the workshop and what I need to continue. It would be very sad to start a workshop with materials that will quickly run out, this would demotivate the children who I am sure will be very excited to continue in the project.

En esta sección estaré hablando de diversas ideas sobre la blockchain de steem y será el canal preferido por STEEMON el títere promotor del proyecto títeres en la comunidad así como la promoción de steem como caso de uso y noticias sobre la blockchain en general.